This is my response to "phenomenology of color" in Strasbourg. There are other happens. Done with colored pencils on paper moleskin.
Monday, February 28, 2011
Sunday, February 27, 2011
How To Not Act Awkward Around The Guy You Like
Smile
KEEP THE GAUVIN!! THEY ARE NOT HAPPY MY CHILDREN??
<(") 
KEEP THE GAUVIN!! THEY ARE NOT HAPPY MY CHILDREN??
<(")
Monday, February 21, 2011
Friday, February 18, 2011
What Is The Chemical Formula For Zirconium
John Irving and the stolen childhoods
"Our childhood is still fly. There are some experiences that transform children into adults much earlier than they should be."
"Our childhood is still fly. There are some experiences that transform children into adults much earlier than they should be."
I
for John Irving a mixture of affection and admiration, since my meeting with TS Garp a day of gloom Angevin, there it eighteen years. Since almost everything I read about him, the Hotel New Hampshire to A widow paper, through A Prayer for Owen or the Work of God, the share of devil, keeping a particular tenderness in World According to Garp. Many of his characters, as Jenny Fields, Dr. Larch, Homer Wells, Owen Meany or Ruth Cole, were etched in my memory as if I had met in the flesh. Like John Irving because he is one of those novelists who are not afraid of creating a fiction with characters more real than real life, a fiction filled with breath and generosity, embracing whole lives, and where a moment of pure slapstick can fail without warning in the most poignant emotion. Like Irving because he belongs to the family of great storytellers who know how to knit a plot mesh after mesh and then focused on writing alone, this intuitive flow, rational, and scary magic that gives life to all and has the power to forget the real player. I like it because, like all great writers, he can not get rid of his obsessions, which are all arrow mark the path in all his work. Readers love with his prose, locate all these motives, or winks inimitable who find themselves in a novel to the other: so that in a novel, Irving was a great chance to cross bears, and strong women buxom, snarling dogs, the "suspect sex", fatal accidents or children raised by single parent. More profoundly, John Irving writes on visceral fears, especially that of losing his. Or on those childhood wounds that fit us like tattoos invisible, deflecting the course of our lives.
Last Night In Twisted River
, young Danny Baciagalupo - who lives alone with his father in a harsh land of lumberjacks and loggers in northern America, sees his life changed after a tragic mistake : he accidentally kills the mistress of her father taking her for a bear! Following this accident, the life of father and son becomes a mare to escape the vengeance of the husband of the dead, the Cowboy, sly character and the cruel hunt endlessly. This second accident follows one who caused the death of Danny's mother, drowned in the River for Twisted wanted to dance on ice. Both injuries are at the heart of man become Danny, and are probably not unrelated to his vocation as a writer. Writer who will always remain a mystery to those who love him and wonder about the part of autobiography in his fiction, happy man back from his own life, but also a single father of a little Joe for which it is done, like all parents to John Irving, a blood ink. "I write about what I fear and not on the events that have happened to me. But I argue that what you fear, what you never happened, but you fear, is part of your autobiography "Irving said in an interview. In last night at Twisted River Danny discovers one night the little Joe on the floor and was out of bed to see the stars and owes its survival to the fact that the road was going to crush the eye was attracted by the white coat of the child. For his father, it's as if the child was dead the first time that night and was now on borrowed time:
"He brought Joe into his room and changed. It was hard to look him in the eye, because he saw them wide open and blind, as he would have found had he discovered the dead child in his white coat on the floor. "
In the fictional universe of Irving, fatal accidents are legion and nightmares seem destined to come true: the mother of the narrator of A Prayer for Owen died reached the temple by a ball baseball, and I'll meet you , that of Heather Burns gets hit by a truck in Edinburgh because she forgot to look right through it. Having seen death strike blindly, so as gratuitous and absurd, the hero of Irving haunted by the anguished fear of losing another. "Hold on, Daniel, and avoids get you killed," repeated his son Dominic Baciagalupo like a mantra. This vertiginous terror is the job of the writer to have the courage to listen, as explained in Ketchum, lumberjack friend and guardian angel of the two fugitives, his protege Danny
"- You Round and round, you have art around the ticklish subject.
- You think?
- I think. Looks like you're trying to avoid talking about what angry. We must dive in to the contrary , one must imagine, Danny. "
If he was a dangerous subject, or painful choice for John Irving, as related to his personal history, it was that of a father abandoning her child. And that is masterfully it confronts in I'll meet you
, saga centered on the character of Jack Burns, boy abandoned by his father and raised by a mother tattoo artist who discovers that her mother thirty years has manipulated its childhood memories to serve its own interests. He starts searching for the truth, and goes in search of a father whose absence has been to influence his life:
"Most of our memories are lying, like photos and postcards. The snow, untouched and pristine, the Christmas candles in the windows of houses where evil is being done to children is invisible and ignored. "
If Irving's novels remind us of the fragility of existence and the terrible burden of childhood injuries, they are mostly odes to life, friendship, love and warmth. The humor and absurdity continue to play their part in the tragedy, and you will not soon forget certain scenes of anthology, as the funeral Mass very special mother Jack, I'll meet you in where thirty tattooed biker intimately silence a zealous pastor who had to impose a sermon by ignoring the last wishes of the deceased ... And even after having seen terrible, nothing is ever final, as recalled by Mrs. Mc Quat (called the Grey Ghost) to little Jack Burns I'll meet you :
- "Because, except natural disasters, the role of victim chooses, "said the Grey Ghost."
If you have not read John Irving, you are very lucky. And if you know it, do not miss his last two novels, proof positive that he is aging, the best American novelist-wrestler does not lose his hand.
soon.
Gaëlle Nohant
for John Irving a mixture of affection and admiration, since my meeting with TS Garp a day of gloom Angevin, there it eighteen years. Since almost everything I read about him, the Hotel New Hampshire to A widow paper, through A Prayer for Owen or the Work of God, the share of devil, keeping a particular tenderness in World According to Garp. Many of his characters, as Jenny Fields, Dr. Larch, Homer Wells, Owen Meany or Ruth Cole, were etched in my memory as if I had met in the flesh. Like John Irving because he is one of those novelists who are not afraid of creating a fiction with characters more real than real life, a fiction filled with breath and generosity, embracing whole lives, and where a moment of pure slapstick can fail without warning in the most poignant emotion. Like Irving because he belongs to the family of great storytellers who know how to knit a plot mesh after mesh and then focused on writing alone, this intuitive flow, rational, and scary magic that gives life to all and has the power to forget the real player. I like it because, like all great writers, he can not get rid of his obsessions, which are all arrow mark the path in all his work. Readers love with his prose, locate all these motives, or winks inimitable who find themselves in a novel to the other: so that in a novel, Irving was a great chance to cross bears, and strong women buxom, snarling dogs, the "suspect sex", fatal accidents or children raised by single parent. More profoundly, John Irving writes on visceral fears, especially that of losing his. Or on those childhood wounds that fit us like tattoos invisible, deflecting the course of our lives.
Last Night In Twisted River
, young Danny Baciagalupo - who lives alone with his father in a harsh land of lumberjacks and loggers in northern America, sees his life changed after a tragic mistake : he accidentally kills the mistress of her father taking her for a bear! Following this accident, the life of father and son becomes a mare to escape the vengeance of the husband of the dead, the Cowboy, sly character and the cruel hunt endlessly. This second accident follows one who caused the death of Danny's mother, drowned in the River for Twisted wanted to dance on ice. Both injuries are at the heart of man become Danny, and are probably not unrelated to his vocation as a writer. Writer who will always remain a mystery to those who love him and wonder about the part of autobiography in his fiction, happy man back from his own life, but also a single father of a little Joe for which it is done, like all parents to John Irving, a blood ink. "I write about what I fear and not on the events that have happened to me. But I argue that what you fear, what you never happened, but you fear, is part of your autobiography "Irving said in an interview. In last night at Twisted River Danny discovers one night the little Joe on the floor and was out of bed to see the stars and owes its survival to the fact that the road was going to crush the eye was attracted by the white coat of the child. For his father, it's as if the child was dead the first time that night and was now on borrowed time: "He brought Joe into his room and changed. It was hard to look him in the eye, because he saw them wide open and blind, as he would have found had he discovered the dead child in his white coat on the floor. "
In the fictional universe of Irving, fatal accidents are legion and nightmares seem destined to come true: the mother of the narrator of A Prayer for Owen died reached the temple by a ball baseball, and I'll meet you , that of Heather Burns gets hit by a truck in Edinburgh because she forgot to look right through it. Having seen death strike blindly, so as gratuitous and absurd, the hero of Irving haunted by the anguished fear of losing another. "Hold on, Daniel, and avoids get you killed," repeated his son Dominic Baciagalupo like a mantra. This vertiginous terror is the job of the writer to have the courage to listen, as explained in Ketchum, lumberjack friend and guardian angel of the two fugitives, his protege Danny
"- You Round and round, you have art around the ticklish subject.
- You think?
- I think. Looks like you're trying to avoid talking about what angry. We must dive in to the contrary , one must imagine, Danny. "
If he was a dangerous subject, or painful choice for John Irving, as related to his personal history, it was that of a father abandoning her child. And that is masterfully it confronts in I'll meet you
, saga centered on the character of Jack Burns, boy abandoned by his father and raised by a mother tattoo artist who discovers that her mother thirty years has manipulated its childhood memories to serve its own interests. He starts searching for the truth, and goes in search of a father whose absence has been to influence his life: "Most of our memories are lying, like photos and postcards. The snow, untouched and pristine, the Christmas candles in the windows of houses where evil is being done to children is invisible and ignored. "
If Irving's novels remind us of the fragility of existence and the terrible burden of childhood injuries, they are mostly odes to life, friendship, love and warmth. The humor and absurdity continue to play their part in the tragedy, and you will not soon forget certain scenes of anthology, as the funeral Mass very special mother Jack, I'll meet you in where thirty tattooed biker intimately silence a zealous pastor who had to impose a sermon by ignoring the last wishes of the deceased ... And even after having seen terrible, nothing is ever final, as recalled by Mrs. Mc Quat (called the Grey Ghost) to little Jack Burns I'll meet you :
- "Because, except natural disasters, the role of victim chooses, "said the Grey Ghost."
If you have not read John Irving, you are very lucky. And if you know it, do not miss his last two novels, proof positive that he is aging, the best American novelist-wrestler does not lose his hand.
soon.
Gaëlle Nohant
Thursday, February 17, 2011
Egg White Cervical Mucus In Early Pregnancy
The cab-Fi as an enclave Ubimedia corner
And so rather than bathing the whole of reality in all connected, some physical space was reserved as an enclave Ubimedia in reality? To locate and interfaced Hyper ecosystem and people, through the urban totems, like this ancient phone booth enriched technology-Fi?
This phone box mixes two purposes: to call the former (in a capsule, combined turn connected by a cord) and connect from a "connected device" mobile (smartphone but also laptops, etc. ...), paradoxical? This is happening in China, smart way to use a totem to empower urban uses from new use acquired by all: from a public phone.
But it was the wifi encapsulated in our scenes of urban life that inspires me. The day before
Nekid February (where I also learned that Chinese booth) indicates a Deloitte study that shows that could supplant 3G wireless and point of sale will be logged the web. Hey, so ...
As a big button "WiFi here"
The trouble with the wifi spots in town is that they do not see and they often come to break a current connection. You're surfing on 3G while you are in flux and you enter a wifi area which you push interrupted by shouts on your screen, enough to lose his grip. Very annoying and not user-centric, the fluidity of a service being one of the fundamental loyalty.
The solution? Radical, disable wifi and only enable it to his initiative, particularly when one is visually recognized entering "a zone wifisée. Payphones could play this star "rating-Fi" as a big button "WIFI here" like the traditional "click here" web.Mais of the issue of this spin-Fi spots is not that in the identification and realization in the actual area as "friendly interactive" with an object like this cabin or any other urban totems: a marker, a sticker on objects, etc..
As a SAS to cloud his staff and to the ecosystem hyper
The issue is also access to a local ecosystem by example: local content syndication, CityGuide, mailbox, social game with a key to couponing to a merchant in the neighborhood, ...
Thus, the telephone booth may aggregate around it an ecosystem of syndicated services, since people "are asking for a break connection" in this place, like an open hatch on the cloud. Here we find the principle that I described about strategy Starbucks as hyperlocal media . So why not extend this principle to storefront signs: diffuse odors to lure the barge, it's a little past, see boring; cons by offering them an area connection while their offering local offers is better right? Come on, imagine a bank: no need to get into it, just move the bench "branded" with the colors of the bank for his personal mail checker, or seek a mailing address. And hey, why not make contact with the surrounding ecosystem that promotes the bank via this hub. History of corner, good deals. And why not explore the offer as long as I am also proposing that bank to finance the purchase of a car. Exactly, I just tested a car dealership in front ...
The advantage over 3G in your pocket?
You tell me, so good, but can be satisfied with the 3G and location based push through one of my many dedicated applications (yes, but which one?). Of course ...
These other forms of "totems connected persuasive"
WifiReady From the brand that tells stories and makes us service? The
Ubimedia pushes the digital scale of hyperlocal, the near, the immediate, where are people, real life. The means of interaction are everywhere but must come alive in the context and the mood of the user (profile, expectations), the risk of being rejected. Two positions of marks in a world Ubimedia can take advantage of these spots wifis.
brand can always tell stories (aggregated storytelling and conversations around this story) taking advantage of these new channels and their local context, what we call transmedia . This is the posture brand Converse.
And then there's this new posture of another brand, servicial edutainment, which is another way to reach people and to legitimize the presence of brand (branded utility brand or useful) or the Community in the sphere of intimate and real hyper (my neighborhood, my station, my favorite troquet, my daily urban path ...).
And all thanks to this brand or community "WifiReady" who wishes me well because it makes me service in situ. Communicating in a world Ubimedia is not only "to tell it" (;-) is also a service and if we can trigger the emulation edutainment social it is the holy grail of engagement marketing, branding sesame (in capital Brand enriched), or the revival of local public service if we take the side of communities!
dream of a world controlled connectivity: a self-controlof connectivity
Finally, an intuition or a little naive dream that can surprise after these remarks, perhaps because I can feel overstretched on offline I am enjoying the least space-time that goes with everything in it of tangibility (and I do not always treat myself ...). If people are increasingly hyperconnected, they will also seek disconnection, will rush personalization solutions to simpler, more intuitive and intelligent. They will work towards controlling the use of this hyperconnectivity: connectivitée discrete with possible permanent standby partial or complete, delegating filtering and alert an avatar ubiquitous smart we are promised? ...
model hyper-Fi hub approached here with this phone box could then be connected to one response to this insight connectivity controlled by each. And dream of a world strewn booths Fi totem like so many enclaves of connectivity in the physical world, freed from the dictatorship of the real-time push, the check and touch, to devote himself fully to the tangibility of the present moment.
zany? :)
Go, chick. 
And so rather than bathing the whole of reality in all connected, some physical space was reserved as an enclave Ubimedia in reality? To locate and interfaced Hyper ecosystem and people, through the urban totems, like this ancient phone booth enriched technology-Fi?
 |
| http://www.notorietyinc.com |
But it was the wifi encapsulated in our scenes of urban life that inspires me. The day before
Nekid February (where I also learned that Chinese booth) indicates a Deloitte study that shows that could supplant 3G wireless and point of sale will be logged the web. Hey, so ...
As a big button "WiFi here"
The trouble with the wifi spots in town is that they do not see and they often come to break a current connection. You're surfing on 3G while you are in flux and you enter a wifi area which you push interrupted by shouts on your screen, enough to lose his grip. Very annoying and not user-centric, the fluidity of a service being one of the fundamental loyalty.
The solution? Radical, disable wifi and only enable it to his initiative, particularly when one is visually recognized entering "a zone wifisée. Payphones could play this star "rating-Fi" as a big button "WIFI here" like the traditional "click here" web.Mais of the issue of this spin-Fi spots is not that in the identification and realization in the actual area as "friendly interactive" with an object like this cabin or any other urban totems: a marker, a sticker on objects, etc..
As a SAS to cloud his staff and to the ecosystem hyper
The issue is also access to a local ecosystem by example: local content syndication, CityGuide, mailbox, social game with a key to couponing to a merchant in the neighborhood, ...
Thus, the telephone booth may aggregate around it an ecosystem of syndicated services, since people "are asking for a break connection" in this place, like an open hatch on the cloud. Here we find the principle that I described about strategy Starbucks as hyperlocal media . So why not extend this principle to storefront signs: diffuse odors to lure the barge, it's a little past, see boring; cons by offering them an area connection while their offering local offers is better right? Come on, imagine a bank: no need to get into it, just move the bench "branded" with the colors of the bank for his personal mail checker, or seek a mailing address. And hey, why not make contact with the surrounding ecosystem that promotes the bank via this hub. History of corner, good deals. And why not explore the offer as long as I am also proposing that bank to finance the purchase of a car. Exactly, I just tested a car dealership in front ...
The advantage over 3G in your pocket?
You tell me, so good, but can be satisfied with the 3G and location based push through one of my many dedicated applications (yes, but which one?). Of course ...
- but the art of marketing is to play on persuasion accomplice to engage the commitment, what I called a few years ago "marketing interface" ie "marketer" place literally ; like interface, as an "interactive zone friendly", promising access to both its staff and offer a cloud following servicial contextual (location as appstore local ecosystem as servicial). This phone booth or the bench wearing the colors of the "wifiseur" (A bank to use my example above) are "calls to action" and the promise that it is possible to interact and access a range of services in context, and especially "if I am willing" .
- access to the connection will not count my 3G package.
- physical object can be enriched touchless technology: QR code and NFC interropérer well with personal communication devices (smartphone NFC soon, its smart cards or clothing communicating soon).
- Finally, when the 3G does not pass, it's a way to serve, facilitate a white area and provide access to its cloud staff and those of his friends and of course the local cloud (services contextualized).
- ... flow more smoothly (pending 4G ...)?
- ...
These other forms of "totems connected persuasive"
And we can extend this model of hyper-local interaction with other forms of "totem connected persuasive" incorporated into the urban or rural landscape, such as "sorts of drive-in" deporting delivery away from congested city centers, these cytissimo these popup shops in railway stations, service stations, these new booths, the booth Presses, the Muppi or bus shelters and of course the outlets ...
The investment is not free but does not invest even more expensive
So either these challand or visitors who were only passing will rush on this "connected pause" in the street in my bar, waiting for the bus or in the queue and say thank you or click on a space partner who will monetize its presence ... or ... or ... But where do you find the money to fund free wifi spots of these? Who will maintain these limits? What connection time propose to avoid congestion at the spot network? Answer: Test the device on a few spots in scale to measure what you will actually gain in value in use and business value.
WifiReady From the brand that tells stories and makes us service? The
Ubimedia pushes the digital scale of hyperlocal, the near, the immediate, where are people, real life. The means of interaction are everywhere but must come alive in the context and the mood of the user (profile, expectations), the risk of being rejected. Two positions of marks in a world Ubimedia can take advantage of these spots wifis.
brand can always tell stories (aggregated storytelling and conversations around this story) taking advantage of these new channels and their local context, what we call transmedia . This is the posture brand Converse.
And then there's this new posture of another brand, servicial edutainment, which is another way to reach people and to legitimize the presence of brand (branded utility brand or useful) or the Community in the sphere of intimate and real hyper (my neighborhood, my station, my favorite troquet, my daily urban path ...).
And all thanks to this brand or community "WifiReady" who wishes me well because it makes me service in situ. Communicating in a world Ubimedia is not only "to tell it" (;-) is also a service and if we can trigger the emulation edutainment social it is the holy grail of engagement marketing, branding sesame (in capital Brand enriched), or the revival of local public service if we take the side of communities!
dream of a world controlled connectivity: a self-controlof connectivity
Finally, an intuition or a little naive dream that can surprise after these remarks, perhaps because I can feel overstretched on offline I am enjoying the least space-time that goes with everything in it of tangibility (and I do not always treat myself ...). If people are increasingly hyperconnected, they will also seek disconnection, will rush personalization solutions to simpler, more intuitive and intelligent. They will work towards controlling the use of this hyperconnectivity: connectivitée discrete with possible permanent standby partial or complete, delegating filtering and alert an avatar ubiquitous smart we are promised? ...
model hyper-Fi hub approached here with this phone box could then be connected to one response to this insight connectivity controlled by each. And dream of a world strewn booths Fi totem like so many enclaves of connectivity in the physical world, freed from the dictatorship of the real-time push, the check and touch, to devote himself fully to the tangibility of the present moment.
zany? :)
Go, chick.
Thursday, February 10, 2011
Sunday, February 6, 2011
Adderall Film In Mouth
Me, I look away and infinity e
Today I am sick. So I'll spend my day editing my book of drawings on photoshop. 
Today I am sick. So I'll spend my day editing my book of drawings on photoshop.
Saturday, February 5, 2011
Friday, February 4, 2011
Pokemon Heart Gold Roms
The first record of my entire life
That was the week of review, I went on Wednesday. We present everything you did in the year in 20 min. So the "staging" of the room a lot.
I'll try to show all the projects I started, and this is my room.
That was the week of review, I went on Wednesday. We present everything you did in the year in 20 min. So the "staging" of the room a lot.
I'll try to show all the projects I started, and this is my room.
Subscribe to:
Posts (Atom)